Thomas’s Femmes Noires reframes the gallery space, allowing viewers to alter their behavior from what’s expected in an art institution.
Contemporary Arts Center New Orleans
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Art of Clay and Steel in the City of New Orleans
Although George Dunbar and William Monaghan differ in visibility and style, they are both prodigal sons who have left this city and then returned to it.
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Making American Labor Visible Again
Though officially outlawed in 1865, the de facto continuation of slavery remains a repulsive American secret.
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Between Carnival and Performance Art: Nine Artists on Masquerade
NEW ORLEANS — It’s astonishing that in 2015 a group exhibition of nine artists of color can still be impressive based on statistics and context alone.
