News
Fundraiser Seeks to Support Chiloé Island’s Only Print Studio
A small lithography school in the Chilean island is yielding marvelously intricate works, but needs support to restock dwindling supplies.
Dan Cameron
Art
The East Village Eye: Where Art, Hip Hop, and Punk Collided
Between May 1979 and January 1987, the East Village Eye breathlessly covered the East Village art scene. Indiscriminate in its interests, the magazine charted the rise of hip hop, graffiti, and punk, and is widely credited with contributing to the intermingling of several New York scenes.
Interview
Then and Now: A Conversation with Prospect.3's Franklin Sirmans
Franklin Sirmans, curator of contemporary art at Los Angeles County Museum of Art (LACMA), has replaced Cameron as artistic director for Prospect.3: Notes for Now, the biennial's latest installment. So there is a lot riding on Prospect.3, which opens on October 25 — especially for Sirmans, whose rol
Art
California's Triumphant Triennial
LOS ANGELES — In a world where art seems to consist primarily of hyper-conceptual art school verbiage, it’s a relief to go to a museum show and actually have something to see. The California-Pacific Triennial, now on view at the Orange County Museum of Art in Newport Beach, Calif., definitely offers
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NEW Bi-monthly Visual Arts Guide Set to Hit New Orleans
Fans of visual art in the Crescent City should rejoice that there's a new guide in town that will make things a little easier. Multi-disciplinary designer Erik Kiesewetter joined forces with three others to create a free printed bi-monthly gallery guide listing for the visual arts in New Orleans tha
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Prospect 2: Now With 66% Less Art!
New Orleans is a city of excess: we eat more good food, show more skin (at least during Carnival season), and have more fun than just about any other city in the United States, or anywhere. And when the Prospect.1 art biennial rolled into town in the fall of 2008, we could add "see more great art" t
Art
What To Do At Prospect 1.5's Comeback Opening
Prospect.1 New Orleans was the biggest biennial ever staged on US soil, and that's the least of the accomplishments of Dan Cameron's 2008 exhibition. The show brought attention to what continues to be an area badly damaged by disaster and in danger of falling out of the public eye. Prospect 1.0 was
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Ghosts of Disaster in New Orleans
New Orleans — The captain’s flight-deck announcement that we were now making our final descent towards New Orleans jolted me from a very uneasy sleep. The three-hour flight was my first prolonged opportunity to get prolonged (i.e. 3-hours rest) after a late night train ride, to a later night Long Is
![[Sponsor] NURTUREart Seeks Artists for their 2010 Benefit](/content/images/size/w600/hyperallergic-newspack-s3-amazonaws-com/uploads/2010/08/nurtureart-home.jpg)
Announcement
[Sponsor] NURTUREart Seeks Artists for their 2010 Benefit
Join NURTUREart’s Artist Registry to submit work for the 2010 NURTUREart Benefit at Ziehersmith Gallery and have your work viewed by prominent art world figures Dan Cameron, Ceci Moss, Jane Panetta, and Krista Saunders.