Revisiting a painting show that “changed the art world, for better or worse.”
As news of art fairs and Bjork took the spotlight earlier this month, I lingered on the Museum of Modern Art’s The Forever Now: Contemporary Painting in an Atemporal World, up through early April.
A good segment by The Glass House invites 1980s art superstar David Salle to the compound in New Canaan, Connecticut to explain how his works got into Philip Johnson’s collection.
And the review marches on with art reviews a plenty in the seemingly impossible task of reviewing the whole Brucennial. Today’s installment reaches #175: 111. Kathe Burkhart – FUCK THE UNDERGROUND. Exactly.; 112. Dolores Haydon – The horror of porn. The porn of horror. Cool the way the scissors and cutting echo the nearby Man Bartlett piece …