Along with Lois Dodd and Sylvia Plimack Mangold, Jacquette successfully pushed back against Minimalism and Conceptual Art.
DC Moore Gallery
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Something Is Not Right With The World
Alexi Worth’s paintings demand a double take that allows viewers to look closer and begin dissembling the painting in order to understand what is being looked at.
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The Mind-Bending Portraits of Chie Fueki
For years, Fueki has been quietly creating a singular body of mind-bending work that has never fit into the New York art world.
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The Poetry of Black Daily Life in the Art of Whitfield Lovell
Each portrait in Lovell’s current exhibition is a lens through which to consider the complex humanity of Black subjectivity in American history.
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A Shape-Shifting Artist, 87 Years Young
Over the course of a 70-year-career, David Driskell has been making art about memory, jazz, cities, spirituality, and nature.
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Claire Sherman’s Leafy Canvases
Sherman’s paintings offer a captivating tension between movement and stasis.
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Demotic Abstraction with a Twist
By concentrating on detail, which is a central feature of Barbara Takenaga’s work, she has gone against the reductive tendencies of Minimalism that still haunt painting.
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Painting in The Age of Anxiety
I have an innate distrust of work that has a whiff of nostalgia drifting off its surface, whether it is for Andy Warhol, Jackson Pollock, or, further back, Albert Pinkham Ryder.
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Carrie Moyer Reaches for the Stars
Moyer’s new paintings revel in color and visual pleasure, scrambling distinctions between abstraction and representation.
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Joyce Kozloff Revisits Her Childhood Drawings and Maps to Address Present-Day Anxieties
Using her childhood drawings of maps and figures, Joyce Kozloff underscores the limits of our adult understanding.
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Romare Bearden’s Mythic Collages, Rooted in the American South
The characters of Romare Bearden’s collages, on view now at DC Moore Gallery, form a kind of pantheon, a great mythological scheme particular only to the black American South.
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Janet Fish’s Jarring Experiments in Still Life Painting
Among several modes enthusiastically adopted by painters in the last century, spontaneity is still held in the highest regard.
