The decision follows discoveries in the leaked Pandora Papers regarding antiquities dealer Douglas Latchford.
Denver
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With a Denver Location, Meow Wolf Expands Its Immersive Schtick
The company’s mastery of the art market’s smoke and mirrors is its most impressive illusion.
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The Silent Lives of Found Photographs
The mind works desperately to fill the gaps in these lost stories.
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A Contemporary Take on Bosch’s “Garden of Earthly Delights”
Simphiwe Ndzube masterly weaves Bosch’s iconography into his macabre landscapes that reflect water scarcity.
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Maia Ruth Lee’s Artworks Pick Up Where Language Falls Short
In The Language of Grief, Lee’s canvases read like a fragmentary novel, building out the story of a year through mundane bits and extraordinary pieces.
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Free Your Mind With Alisha B. Wormsley and Nico Wheadon in RMCAD’s World Building Series
Rocky Mountain College of Art + Design’s series of virtual artist talks asks: What do we want our world to look like, and how do we create that vision?
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Diego Rodriguez-Warner’s Swirling, Curvilinear Compositions Leave No Surface Undecorated
In Horror Vacui, the artist’s works exude depth and dynamism, turning what might be mayhem into compelling narratives.
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The Little-known, Refreshingly Vulnerable Works of Clyfford Still’s Final Years
The Late Works: Clyfford Still in Maryland offers a historical pivot by focusing on the last 20 years of the artist’s life, revealing his most productive period and foregrounding work that is rarely discussed.
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From Plaster to Plastic, Artists Take Inventive Approaches to Face Masks
In Denver, an exhibition of artist-designed masks shows that face coverings are not only crucial to our health but can also offer unique means of self-expression.
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Where Artists and Amazon Workers Align
I saw The Fulfillment Center months ago, but as time passed it wore on me and I became increasingly concerned about the workers — I mean artists — and more ambivalent about the commodities — I mean art.
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Looking at Monet as the Planet Burns
At Giverny, by rendering landscapes of his own creation, Monet was not so much replicating nature as, in a sense, collaborating with it.
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An Art Fair Where You Can Buy a Steer and a Painting in the Same Venue
“It’s not cowboy art, it’s not parlor art, it is a nuanced view of the American landscape,” said one artist at the Coors Western Art Exhibit and Sale, where collectors gather see art that connects them to a person, a memory, or a community they value.