“The purposeful consequence of colonialism is to spread us far from each other so that we can’t find one another and we are isolated … but we are here!” says artist Lares Feliciano.
Eamon Ore-Giron invites the viewer to consider culture as a collective, living concept that evolves through destabilizing identity.
From an art incubator wedged between a train station and stairwell to a roving space where you can skate and look at art, spaces in Colorado’s capital are engaging new audiences through unusual means.
If Hokusai had focused his subject on swirling tide pools instead of “The Great Wave,” it may have felt something like Taiko Chandler’s “Blue Surge.”
Graduate students in the University of Denver’s Emergent Digital Practices program work on research with faculty who are engaged directly with their communities, both online and off.
The decision follows discoveries in the leaked Pandora Papers regarding antiquities dealer Douglas Latchford.
The company’s mastery of the art market’s smoke and mirrors is its most impressive illusion.
The mind works desperately to fill the gaps in these lost stories.
Simphiwe Ndzube masterly weaves Bosch’s iconography into his macabre landscapes that reflect water scarcity.
In The Language of Grief, Lee’s canvases read like a fragmentary novel, building out the story of a year through mundane bits and extraordinary pieces.
Rocky Mountain College of Art + Design’s series of virtual artist talks asks: What do we want our world to look like, and how do we create that vision?
In Horror Vacui, the artist’s works exude depth and dynamism, turning what might be mayhem into compelling narratives.