This exhibition provides an exciting starting point for exploring artists’ personal sites, statements, and YouTube videos.
The University of Kansas Libraries recently acquired over 1,000 zines from the former Solidarity radical organization in Lawrence, Kansas.
Late last month, Dilma Rousseff was re-elected president of Brazil, bringing one of the country’s most bitter elections to a close. Though the campaign season has ended, tons — as in literal tons — of illegal signage remain on the streets.
To increase access to the fan culture that was integral to the rise of science fiction in the 20th century, the University of Iowa Libraries is digitizing 10,000 fanzines.
CHICAGO — Jim Bachor began his personal public-works project to repair potholes with mosaic works in the summer of 2013.
AA Bronson, the internationally recognized artist and former president of New York’s Printed Matter artist-book store, is currently in LA to launch the first ever LA Art Book Fair at MOCA’s Geffen Contemporary space in downtown LA. Bronson, who is also the director of the NY Art Book Fair, says he’s been thinking about an LA companion to the popular New York fair for about three years now.
Berlin’s famous Tacheles, a sprawling art center housed in a former department store, was effectively shut down this week, as the owner of the building, HSH Nordbank, moves forward with plans to sell it.
To my pleasant surprise this weekend, while going about my business I was stopped by several New Yorkers, from various walks of life, all advertising information about the Occupy Wall Street protests. Occupy Wall Street seem to be on the top of everyone’s mind these days or at least the tips of their tongues. Indeed, the spreading protests all over the country seem to harness a certain discontent present but aimless in the public unconsciousness. Love them or hate them, there is definitely a public zeitgeist surrounding the whole thing. Visiting the goings on downtown I was reminded of the power and necessity of cheaply produced posters, pamphlets and broadsides and their relationship to organized resistance. With thoughts of protest and grass roots organization I happened onto the newest show at Boo Hooray Gallery on Canal Street in Chinatown.
Like all things punk, DIY cinema is a bit rough around the edges. But, isn’t that what makes it so much fun? Kicking off in midsummer with the release of Céline Danhier’s Blank City, punk films have been having a bit of a revival — and, while we’re at it — a reinvigoration.
In the era of food trucks, pop-up shops and temporary restaurants, when even underground dance parties are thrown in the bays of parked U-Haul trucks, it’s surprising that more of the art world isn’t getting on board with this wonderfully lo-fi business model that optimizes exposure through social media and the Internet and requires minimal entry costs. Enter Show and Tell, an ambitious foray into the world of the DIY mobile gallery organized by Sierra Stinson, a Seattle-based artist and part-time gallerist, and Victoria Yee Howe, a New York-based conceptual artist and former pastry chef.
Late Monday night, word quickly got around that the beloved DIY arts and music venue on the border of Queens and Brooklyn, Silent Barn, had been burglarized. $15,000 of musical equipment, handmade art and valuables was taken from the venue, and the place was violently trashed.
Screaming Females are one of those bands who are just that good; they have an unwavering idea about who they are and what they want to do, have worked relentlessly to get where they are and have retained their weirdo aesthetic throughout. In the past two years, the band has gained the attention of indie icons like Henry Rollins and Jay Mascis, and they have played to huge auditoriums and basements alike, sharing the stage with bands like Dinosaur Jr., Ted Leo and the Pharmacists and Yo La Tengo as well as dozens of local musicians just starting out. The band doesn’t stop at concerts either — on March 30th, Screaming Females teamed up with frontwoman Marissa Paternoster and LNY’s new art collective, called Doodle Drag, for a multimedia show at Maxwell’s in Hoboken, New Jersey.