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Posted inArt

Documenta 13’s Art Laboratory

There’s been much talk in the art world during the past decade about the rise of the curator as artist, a figure who in her or his most overweening moments seeks to render artist and artwork secondary to the vision — or, at worst, predetermined program — for a particular exhibition. MFAs in curatorial studies are proliferating, and celebrity curators have become as powerful, influential, and famous as artists always have been, as collectors have become, and as critics once were. However fashionable of late, the curator as artist existed decades earlier in the figure of Harald Szeemann, partly as a result of his radical approach to Documenta 5 in 1972, where he initiated a multi- and inter-disciplinary format that continues to this day.

Posted inBooks

Going Through the Stacks at the 2011 New York Art Book Fair

Now in its sixth year, the New York Art Book Fair, which takes place at MoMA’s hipper sister in Queens, PS1, from September 30 to October 2, features more than 200 exhibitors from Ireland to South Korea. Presented by Printed Matter, the fair is the world’s premier event for artists’ books, contemporary art catalogues and monographs, art periodicals and artist ‘zines. Exhibitors include international presses, booksellers, antiquarian dealers, artists and independent publishers from around the world. As a person susceptible to panic attacks, it is sensory overload city.