At Hales New York, Patterson’s collages meditate on the entropy and delicate elegance of our natural and built environments.
Ebony G. Patterson
Ebony Patterson Searches for the Lives of the Unknown Dead in a Jamaica Massacre
Patterson, a native Jamaican, raises a litany of questions around the unidentified dead in the 2010 Tivoli Incursion in Kingston.
Lost and Invisible Bodies, Enshrined in Glitter and Bling
I am struggling to photograph a tapestry.
Between Carnival and Performance Art: Nine Artists on Masquerade
NEW ORLEANS — It’s astonishing that in 2015 a group exhibition of nine artists of color can still be impressive based on statistics and context alone.
In New Orleans, an Exhibition Shines on the Surface
NEW ORLEANS — Gather enough bling in one gallery and the concentration of visual stimuli will overwhelm the need for a clear or convincing curatorial framework.
Hardware and Soft Concepts at the Bass Museum
MIAMI BEACH — In an apparent attempt to show more shiny baubles than all of the art fairs combined, the Bass Museum of Art last week opened One Way: Peter Marino, a perversely perfect complement to its other major exhibition, GOLD.
In Jamaica, Documenting — and Honoring — a Rich History
KINGSTON, Jamaica — Not too long ago, Jamaica’s tourism-promotion board hired some advertising wizards to cook up a clever slogan to help sell the island’s sunny, Caribbean charms to vacationers from North America. They came up with “We’re more than a beach. We’re a country.”