At Hales New York, Patterson’s collages meditate on the entropy and delicate elegance of our natural and built environments.
Ebony G. Patterson
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Ebony Patterson Searches for the Lives of the Unknown Dead in a Jamaica Massacre
Patterson, a native Jamaican, raises a litany of questions around the unidentified dead in the 2010 Tivoli Incursion in Kingston.
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Lost and Invisible Bodies, Enshrined in Glitter and Bling
I am struggling to photograph a tapestry.
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Between Carnival and Performance Art: Nine Artists on Masquerade
NEW ORLEANS — It’s astonishing that in 2015 a group exhibition of nine artists of color can still be impressive based on statistics and context alone.
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In New Orleans, an Exhibition Shines on the Surface
NEW ORLEANS — Gather enough bling in one gallery and the concentration of visual stimuli will overwhelm the need for a clear or convincing curatorial framework.
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Hardware and Soft Concepts at the Bass Museum
MIAMI BEACH — In an apparent attempt to show more shiny baubles than all of the art fairs combined, the Bass Museum of Art last week opened One Way: Peter Marino, a perversely perfect complement to its other major exhibition, GOLD.
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In Jamaica, Documenting — and Honoring — a Rich History
KINGSTON, Jamaica — Not too long ago, Jamaica’s tourism-promotion board hired some advertising wizards to cook up a clever slogan to help sell the island’s sunny, Caribbean charms to vacationers from North America. They came up with “We’re more than a beach. We’re a country.”
