A radical plan is afoot in Switzerland. A public referendum is on the way, in which people will vote on the possibility of giving every citizen a fixed monthly income.
Though its merely a global system of interconnected computers, the internet truly exists within its own spatial realm, in many ways a world each of us are citizens of in addition to our own countries. It lacks, however, its own unique and universal superstructures established in the physical world like governments, law enforcement and economic systems. That may be changing.
Artists who live and make work in regions that have little to no art infrastructure often have the freedom to be creative, experimental and reactive without the boundaries that accompany exhibiting work in formal spaces. But there’s also a significant divide between achieving a sustainable art career at home and reaching the point of exhibiting and selling one’s work in the global art market.
(via Steve Lambert/kickstarter.com) Quick—what’s the dirtiest word you can think of? The one that makes people the most uncomfortable? The one you wouldn’t dare say at a party for fear you’ll spend the rest of the evening alone in a corner with everyone around you doing their best to pretend you’re not there? Artist Steve […]
New Orleans is a city of excess: we eat more good food, show more skin (at least during Carnival season), and have more fun than just about any other city in the United States, or anywhere. And when the Prospect.1 art biennial rolled into town in the fall of 2008, we could add “see more great art” to that list as well. Hopes were high that the followup would match or even exceed the scope and ambition of curator Dan Cameron’s first installment (81 artists! 39 countries! 22 venues!). But it’s not 2008 any more, and Prospect New Orleans has become subject to the New Austerity too.