While court cases have helped to shape this movement from the 1930s until today, the social-media landscape has generally remained deaf to calls for change.
No one encompasses that soulless supersizing of pop culture as clearly as Kaws.
Kahlo’s aesthetic reflects the vogue of her time: the mythologizing of a homogenized Indigenous past afforded by her proximity to whiteness and wealth.
From a report on sundown towns to interviews with Angela Davis and Emmett Till’s mother, here are highlights from the American Archive of Public Broadcasting.
The short film Egg Cream explores the history of the Downtown Jewish concoction.
The Haunting of Lin-Manuel Miranda deconstructs the Broadway play’s abolitionist portrayal of the founding father with incisive, impeccably-researched satire.
This year, Romero will be installing photographs of California’s Indigenous peoples on billboards and public places throughout Los Angeles.
This essay is an account of truly learning to see what is and is not present in these objects.
As the world moves rapidly toward irreversible and necessary change, art museum directors are talking about adapting their institutions to the times. But what if adaptation is not enough?
Where, exactly, the idea of ancient aliens building the pyramids began — and why some academics think racism lies at the heart of many extraterrestrial theories.
The equation of white marble with beauty is not an inherent truth of the universe; it’s a dangerous construct that continues to influence white supremacist ideas today.
First published in ARTnews in 1971, Nochlin’s essay is considered to be one of the first major works of feminist art history.