Boulder authorities also uncovered stolen guns, drugs, and work by artist Jane Freilicher.
Elaine de Kooning
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A Not Completely Lost History
The artists in Post prove that paintings and drawings can be captivating years after they were done, and that a timely style has a way of becoming uninteresting, even mummifying.
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The History of a Printmaking Workshop for Women Artists, From Elaine de Kooning to Faith Ringgold
From 1984 to 2012, printmaker and professor Nancy Campbell ran the Mount Holyoke College Printmaking Workshop, where women artists like Kiki Smith and Vija Celmins produced remarkable prints.
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Positively Ninth Street Women
By the mid-1970s, critic Thomas Hess acknowledged the critical favoritism shown to postwar male artists when he singled out the women of the Ninth Street Show as “sparkling Amazons.”
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How the Mythic Heroines of the New York School Changed Modern Art
Mary Gabriel charts the Abstract Expressionist movement through the lives of its five most prominent female painters in her newest work of biography, Ninth Street Women.
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An Illustrated Guide to Linda Nochlin’s “Why Have There Been No Great Women Artists?”
First published in ARTnews in 1971, Nochlin’s essay is considered to be one of the first major works of feminist art history.
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Sexism and the Canon: Three Female Artists Reflect on ‘Women of Abstract Expressionism’
DENVER — The paintings in Women of Abstract Expressionism at the Denver Art Museum are rich with emotion, monumental in scale, and totally original.
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‘Women of Abstract Expressionism’ Challenges the Canon But Is Only the Beginning
DENVER — The story goes like this. It is 1950. Virginia born painter Judith Godwin learns that dancer and choreographer Martha Graham will be in the region and all Godwin can think about is her desire for Graham to perform in Staunton at the all women’s school she attended, Mary Baldwin College.
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Recurring Waves of Arrival: Elaine de Kooning’s Portraits, from Loft Dwellers to JFK
WASHINGTON, DC – “I was enslaved by portraits.” That’s how Elaine de Kooning puts it to filmmaker Betty Jane Thiebaud to describe what happened after her arduous and rewarding commission to paint President John F. Kennedy’s portrait for the Truman Library.
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Instant Illuminations: Elaine de Kooning’s Early Portraiture
WASHINGTON, DC — While at the retrospective of Elaine de Kooning’s portraiture here at the National Portrait Gallery, I recalled reflections by the late figurative painter Sherman Drexler at his loft in Newark a couple of years ago. “You paint your desire, you paint your passion,” he said.
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Artist Unknown: Reflections on Works by Eddie Johnson
Poring through a cache of my late uncle’s works on paper, I come across an arresting print purporting to be a self-portrait. It is on delicate and weathered paper. The notes at the bottom state simply: “10/10 Self-Portrait Serigraph, 7 Color” followed by an undecipherable signature that ends with the year “’64.”
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The Overlooked Prints of the Abstract Expressionists
Tomorrow, Swann auction house will be presenting a sale, “Atelier 17, Abstract Expressionism & the New York School,” which showcases the prints of the Abstract Expressionist era that are often overlooked because the larger, flashier paintings inevitably grab the spotlight. The sale has a particular emphasis on the co-operative printmaking workshop Atelier 17, which was started in the Paris studio of English painter and draughtsman Stanley William Hayter in 1927. When World War II began, Hayter fled Paris for London and eventually settled in New York after a very short stay in California during the 1940s. The first New York incarnation of Atelier 17 popped up at the New School of Social Research but eventually the studio found a home at 41 East 8th Street in the heart of artistic Greenwich Village. Jackson Pollock lived across the street.