Saar makes work that engages the body and the spirit, work that she hopes audiences will find a way to connect with.
In March, Chang put out an open call for our fears and made a video out of them. Watching it eight months later, I hoped it would help name whatever it was I was feeling.
Moving toward smaller-scale organizations would help engage younger audiences left out by the companies that preside over 90% of what’s on-air and online.
For Cézanne, stone represented structure incarnate.
Hungarofuturism, an Eastern European movement directly inspired by Afrofuturism, collapses perceptions of national and individual identity, monuments, and historical sites.
Disability rights activist Emily Ladau explains “supported storytelling.”
Coco Fusco writes on why “equity won’t be achieved by a new biennial, another emerging artist of color survey, or a record auction sale by a Black artist.”
Murray came of age at a time when brutal circumstances coincided with buoyant Modernity.
Begun at the start of quarantine in the US and finished days after George Floyd’s murder, Intimations ekes out a semblance of narrative during our moment of destabilizing upheaval.
There are things that I have failed to clue into that continue to make me wince when I think of them. Things that force me to ask “How could I have missed my cues so completely?”
Even if we believe in certain unspoken art criticism criteria that are involuntary but formed and informed by extended looking, nothing can be proved. We can always be wrong.
When I had to do one of the most difficult things in my Artillery career, I felt like I made a huge mistake: I fired my gossip columnist, Mitchell Mulholland.