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Land Art’s History Meets Its Present in Bigger Than This Room at form & concept
Documentation by Charles Ross and Robert Smithson collides with contemporary artwork made by women and people of color. Now on view in Santa Fe.
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Documentation by Charles Ross and Robert Smithson collides with contemporary artwork made by women and people of color. Now on view in Santa Fe.
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After expanding its collection with work made by a broadly representative group of American artists, SAAM will feature more than 130 of these recently acquired pieces in a new exhibition.
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The site-specific installation “Bird’s-Eye View” celebrates Manhattan’s coastline and the wonders of migration patterns with digitally-created birds.
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Curated by Todd Bradway and presented concurrently at Acquavella’s NYC and Palm Beach locations, this group exhibition features landscape paintings by 28 contemporary artists.
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The exhibition brings together a selection of Lin's interpretations of water with brand new, site-responsive works inspired by the Chesapeake Bay.
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Spanning 13 editions since 1995, this year’s exhibition explores past themes and curatorial concepts, behind-the-scenes documentation, publicity initiatives, and more.
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This is the largest exhibition to date on the artist, activist, educator, and founder of New York City’s El Museo del Barrio.
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On view in Philadelphia through July 16, the project considers the intersections of image making, domestic violence, and the feminist movement.
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Sam Fein, Sol Kim, Mariana Ramos Ortiz, and Onyịnye Alheri and Carolina Policarpo will present their exhibitions in their respective locations around the world.
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We Want Everything is on view through June 10 in CIA’s Reinberger Gallery. A virtual discussion with Tings Chak and Josh MacPhee is scheduled for April 15.
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This public work about home and migration closes on April 16 with a celebration featuring an artist talk and performances by poet Quincy Troupe and saxophonist David Murray.
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An exploration of cultural repair and radical colonial resistance, Chacon’s work is inspired by Diné creation mythology and her own experiences as a contemporary Indigenous artist.