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Dreams of the Kings: A Jade Suit for Eternity, Treasures of the Han Dynasty from Xuzhou presents an array of artifacts originating from royal tombs dating from the Western Han Dynasty (206 BCE – 8 CE).
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Opening June 17, the Caribbean Cultural Center African Diaspora Institute’s Liminal Space offers a glimpse of the tensions immigrants face in being tethered to multiple places at once.
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Gechtoff and Kelly were key members of the San Francisco School of Abstract Expressionism.
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Initiated by artist Jeanne van Heeswijk, Philadelphia Assembled manifests in over 60 actions, installations, and performances meant to illuminate a set of hopes and questions for the city.
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The new cultural initiative in Brooklyn is launching with a show of work by one of the pioneers of Polish postwar lyrical abstraction.
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An exhibition chronicles a collaborative project that took artist Erick Meyenberg and a local high school marching band to politically charged sites throughout Mexico City.
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Solid Doubts: Robert Stadler at The Noguchi Museum is the museum’s first exhibition in which a contemporary designer’s work is installed in tandem with Isamu Noguchi’s sculptures.
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Taiwan’s exhibition for the 2017 Venice Biennale — Doing Time — opens at the Palazzo delle Prigioni on May 10.
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Featuring work by Rodolfo Abularach, Mario Bencomo, Pérez Celis, and Agustin Fernandez.
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The show marks the first time Wilson has exhibited together his studio work, a museum intervention, and collection projects within a museum context.
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Public Access/Open Networks showcases the historical relationships between community-produced media and political action, documenting the potential for social change and creative reimagining through this technology.
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Like the process of self-psychotherapy, the exhibition RIVERRUN offers a broadly inclusive, all-encompassing view of the writing and reading of art.