A Berlin-based conceptual artist artist, Aram Bartholl, has published a website to assist the craft-inclined and surveillance-averse in the making of their own Faraday cage pouch for their cellular telephones.
Last night’s opening of the Emoji Art and Design Show was a light-hearted celebration of those pictograms that have crept into our conversations and lives in every which way. The exhibition felt more design than art, and the pop-up marketplace featured a number of — you guessed it — emoji-related products.
Anyone who’s ever visited Eyebeam at its current home on West 21st Street knows that it’s something of the red-headed stepchild on the block. So maybe it’s just as well that the art and technology center is moving to Brooklyn.
After a year of absence, the annual video_dumbo festival has returned with a week of screenings and installations that have video art reflecting on itself. Last night, the central exhibition, Re-Return to Sender, opened at Eyebeam Art + Technology Center in Chelsea. While it’s now extracted from its former Brooklyn home, there is an ongoing installation running alongside at the Front Street gallery space of Dumbo Arts Center, which is continuing its participation in the event as a co-presenter this year.
Remove Justin Bieber from your internet. Slice up subway posters for easy remixing. Mix LEGO, K’nex, and Lincoln Logs in an incestuous scramble of childhood toys. Star in your own guerrilla TED talk. Those are just a brief excerpt of the mischievous things an active viewer can accomplish at Eyebeam’s retrospective of the hacker-internet artist-new media graffiti collective F.A.T. Lab.
In late October 2012, three feet of water crashed through Eyebeam, a technology and new media non-profit located in a vast warehouse space on 26th Street in Chelsea. The ground floor location proved catastrophic as the flood poured over from the Hudson: Eyebeam sustained damage to just about every part of its operation, from studio space and galleries to the institution’s all-important archive, stored on vulnerable media formats like hard drives and storage cassettes.
F.A.T. Gold, the mini retrospective celebrating art/hacker/open-source activist collective Free Art and Technology (F.A.T.) Lab, has been open for about 20 minutes at Eyebeam, and they’re already pissing people off.
Whether you like it or not, the digital invasion of Google Glasses is on its way, bringing the alternate world of augmented reality with it. As the late sci-fi author Philip K. Dick, who I really wish was here to react to the rapidly cyborg-like technology advances, forebodes in his 1978 essay “How to Build a Universe That Doesn’t Fall Apart Two Days Later”: “What is real? Because unceasingly we are bombarded with pseudorealities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”
The damage from Sandy’s flooding took Chelsea galleries by surprise. The swelling water knocked artworks from walls and poured into basement storage areas, where art spaces and artists alike often store the work that’s not on display. Zach Feuer Gallery’s sloped space meant that water washed directly toward fragile work. Printed Matter encountered a similar issue, with soaked stock going to waste on the sidewalk. But it wasn’t only physical property that was damaged in the hurricane.
Eyebeam Art + Technology Center has created a Kickstarter project that seeks to expand their public presence in Chelsea through a space that incorporates furniture, coffee shop, bookstore and free wifi.