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Jane Lombard Looks Back at 30 Years of Art and Politics
The New York gallerist’s exhibition 30 X 30 reflects the works she has enjoyed the most — and their incisive and sometimes bracing sociopolitical message.
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The New York gallerist’s exhibition 30 X 30 reflects the works she has enjoyed the most — and their incisive and sometimes bracing sociopolitical message.
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An unsanctioned exhibition uses AR to insert works by Native artists, like Cannupa Hanska Luger and Jeremy Dennis, into the museum’s 19th-century landscapes.
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Crowds of art revelers brushed aside the soggy weather this weekend to visit spaces below the Brooklyn Queens Expressway.
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The third iteration of Hind’s House in Washington Heights, steps from Columbia University, addresses interconnected struggles in Gaza and the US.
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Małgorzata Mirga-Tas’s dignified storytelling, Ceijia Stojka’s triumphant paintings, Gabi Jiménez’s expressive portraits, and so much more.
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Ahead of the opening at the Hammer Museum, Hyperallergic spoke to participants whose practices embrace the show’s threads of history and dissonance.
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The International Center of Photography’s annual showcase captures and quells the anxieties of the present political moment.
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His artworks reflect the world around them, collecting leaves in the glass boxes, and providing a respite from the daily grind.
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Hyperallergic speaks to artist and academic Işıl Eğrikavuk about whether art can help keep the spirit of protests alive.
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The second edition of the show embraced unexpected artworks, price transparency, and a spirit of community among galleries from the region.
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Nestled in the hamlet of Wappingers Falls in Upstate New York, the Chapel of Sacred Mirrors reflects Alex and Allyson Grey’s lifelong dedication to Visionary Art.
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"We won't be destroyed by anyone," said 85-year-old artist Maria Zarembska. "My people are present now and my people will be present forever."