Some applaud the crypto industry for finally acknowledging its impact, but critics liken offsetting to greenwashing.
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How an LA Printmaking Workshop Advanced the Career of Women Artists
Ruth Asawa, Anni Albers, and others first experimented with printmaking at June Wayne’s Tamarind Lithography Workshop.
Beer With a Painter: Mernet Larsen
“Rather than being attracted to artists because of their skills or sensitivity, I was always more interested in ideas and imagination.”
The Witches of the Orient Pits the Fantasy of Sports Movies Against the Reality of Hard Practice
Now playing at MoMA’s Doc Fortnight, the exciting documentary chronicles the Japanese women’s volleyball team’s path to victory at the 1964 Summer Olympics.
Through Video and Collage, Abbey Williams Inverts the Paradigm of White Hegemony
In Vignette, Abbey Williams explores how Black affective space persists within and outside the constricted frame of the white gaze.
With David Hammons, Meaning and Process Hold Hands
In Hammons’s body prints, the veteran artist melds method, intention, and significance.
In Thrilling Palettes, Ilana Savdie Maps Electrifying Geographies
In the artist’s first solo exhibition, fragments of vibrant color quake with anticipation as if waiting to be ignited.
So Much Achieved by One Artist in So Little Time
The Belgian artist Ilse D’Hollander rejected abstraction and figuration as an either/or premise in favor of a path that embraced both.
Melvino Garretti on Making Art in Los Angeles Since the Days of the Watts Uprising
Melvino Garretti describes himself as “more of an anthropologist than an artist.”
The Pandemic as Inadvertent Artist Residency, a Silver Lining in a Year of Isolation
There are many benefits of artist residencies, but for me, the best conditions for making art involve being paid to work where I already have the infrastructure.
Artist Coalition Announces 10-week “Strike” Against MoMA
The campaign is a collaboration by members of 12 activist-artist organizations, including Decolonize This Place, Forensic Architecture, and MoMA Divest.
In Bright Hues and Stained Glass, Sarah Cain Attempts to Conjure the Meditative
Sarah Cain’s colorful abstractions delight with their blurring of boundaries but her latest installation falls short of its site-specific aims.