Women’s Oppression Is the Earth’s Oppression
The work on gender and ecology in RE/SISTERS at the Barbican suggests that it is time to re-examine and re-engage with ecofeminism.
The work on gender and ecology in RE/SISTERS at the Barbican suggests that it is time to re-examine and re-engage with ecofeminism.
Director Nicole Newnham chronicles the rise, fall, and disappearance of the iconic feminist sexologist.
Photos show a temporary sculpture unveiled on the National Mall that leaves a lot to be desired.
Her work brilliantly reframes age-old storylines from a Persian cookbook as modern allegories for female liberation.
D. Scott’s documentary on Black trans sex workers is as sunny as it is sobering, a film that refuses to moralize.
Milk is not only humanity’s food but also a liquid dripping with symbolism, from spiritual salvation to maternal devotion.
Katy Hessel’s new survey of women artists leaves out men, but also falls short of offering a new take on feminist art history.
In the early ’90s, the Kids in the Hall transgressed boundaries of propriety, gender, sexuality, even species as an alternative to binary thinking.
In the four decades since the Islamic Revolution, Iranian artists have used clever tactics and unconventional modes of art-making to display disobedience.
What is a feminist picture? A MoMA exhibition is the latest to attempt to answer this question.
Women at War exposes the struggles that women of Eastern Europe have been undergoing for the last 60 years, in addition to the annihilation of Ukrainian heritage.
Although more inclusive than the original 1972 Womanhouse, the current remake would still benefit from more BIPOC artists, a broader intersectional dialogue, and a wider breadth of lived experience.