Film
Pasolini’s Felt Duty to be Scandalous
The first of a three-part retrospective of Pasolini’s films began at Metrograph, starting at the end of Pasolini’s career with the films that are among his most conflicted, comic, and punishing.
Film
The first of a three-part retrospective of Pasolini’s films began at Metrograph, starting at the end of Pasolini’s career with the films that are among his most conflicted, comic, and punishing.
Film
Jenkins brings a visual richness to the story, accentuating the emotional undertones of Baldwin’s words.
Film
Screening in New York for the holidays, a new film draws on photos Gary Monroe and Andy Sweet took as a part of the Miami Beach Photographic Project through the 1970s and into the early 80s.
Film
Shirkers, an irresistible mix of insouciance and precocious maturity, delivers a story of ultimate geekiness, as director Sandi Tan sketches a portrait of her younger self.
Film
Petra Bauer’s new film Workers! documents an occupation by sex workers, a group in a marginal profession that Trade Unions rarely stand up for and which the public hardly ever sees at work.
Film
The acclaimed director's new black-and-white drama, Roma, is a moving chronicle of family strife and class struggles in 1970s Mexico City.
In Brief
The film, Something Good–Negro Kiss, subverts the corrupt racism imbued in the history of American minstrelsy. The film will join the Library of Congress's National Film Registry for its significance in American culture.
Film
Natalie Portman stars as a pop star who survived a school shooting in director Brady Corbet's new film about the desensitizing powers of idol worship.
Film
Thank You for Supporting the Arts chronicles the career of a writer, musician, and breast cancer survivor who sees her stripping as an art form.
Film
At Doc NYC, America's largest documentary film festival, directors examine the lives and works of artists Barbara Rubin, Jay Maisel, and Christo.
Art
Auckland-based artist Benjamin Work painted a Manhattan mural that activates the narrative history of a Tongan club in the Metropolitan Museum of Art.
Film
While the female protagonists in Barbara Loden's Wanda and Susan Seidelman's Smithereens may be lost — and legitimately poor — the one thing they are not is self-pitying.