Film
Al Carbee’s Art of Dolls and Yearning: “Oh, for a real, live Barbie!”
Al Carbee was an old man who liked dolls.
Film
Al Carbee was an old man who liked dolls.
Art
Just as the history of cinema is filled with questions and contestations — did the Lumière brothers invent motion pictures, or does the Edison company's kinetoscope deserve the credit? — so too is the history of documentary.
Art
That protean, motley preoccupation sometimes called film theory has shown many faces over the years. But before today’s engagements with the medium’s correspondence with digital technologies and television, there was auteur theory.
Film
In terms of understanding the very nature of our world, it's hard to overestimate the significance of the Large Hadron Collider, and a new documentary makes a very convincing case.
Film
Let’s look past the globules, barnacles, and goo. At its heart, Matthew Barney’s River of Fundament is a film about white, male America’s failure to comprehend urbanism.
Film
Koyanisqaatsi, a debut collaboration between filmmaker Godfrey Reggio and composer Philip Glass, broke ground in so many ways in the 1980's for exploring film as a poetic, rather than narrative or theatrical expression. Over ten years later, Reggio and Glass have come together to produce Visitors, a
Art
It’s a sure sight for sore eyes to see the name “Stanwyck” emblazoned on a cinematheque marquee. Then again, not everyone today may be familiar with this name — but the uninitiated have every reason to stop in for one of the afternoon or evening double bills playing all through December at Film Foru
News
Today's "holy crap!" story is the discovery of two long-lost Peter Sellers films that were salvaged from a trash can.
Film
Between the bellows and the bed unfolds the universe of Cousin Jules. It is a small world, but polyvalent. He is Jules Guitteaux, a blacksmith in rural Burgundy, husband then widower, and — crucially — cousin of the late filmmaker Dominique Benicheti, whose 1973 documentary film Cousin Jules pays ce
Art
Stereoscopic, or 3D, vision is a technique usually associated these days with blockbuster movies. But, using a simple stereo camera, Carlton Bright rollerbladed around Williamsburg from 2003 to 2013 documenting a series of “modules” or “vignettes” about the neighborhood he loves and calls home.
Art
CHICAGO — Boys don't cry, and young girls fight back with their psychic powers in director Kimberly Peirce’s films. This past Saturday in Chicago, Peirce, the director of Boys Don't Cry, Stop-Loss, and most notably the new remake of Carrie, took to the stage with WBEZ reporter Alison Cuddy at Franci
Film
Once more into the rabbit hole breach, The Pervert’s Guide to Ideology tails Slavoj Žižek on another meta-tour of the popular cultural sub-terrain.