Film
Why The Rules of the Game Is Still Required Viewing
Jean Renoir's newly restored 1939 classic proves that lawless wealth — then as now — makes a marvelous farce of us all.
Film
Jean Renoir's newly restored 1939 classic proves that lawless wealth — then as now — makes a marvelous farce of us all.
Film
A festival dedicated to Davinci’s The King Show celebrates the LA artist's trippy remixing of stock footage, Hollywood cinema, and theater.
Film
Letters Unwritten to Naiyer Masud attempts to peer into the late writer Naiyer Masud’s concealed world.
Film
Saim Sadiq’s crushing debut, the first Pakistani film to be shortlisted for the Oscars, is imbued with a crisis of space.
Film
All the Beauty and the Bloodshed centers the artist's campaign to stop the “artwashing” of the Sackler family’s role in the opioid crisis.
Film
In myriad ways, coming as it does in January, Sundance sets the stage for US cinema through the rest of the year.
Film
Squaring the Circle (The Story of Hipgnosis) is a reasonably informative, if rather dry, look at a subject with much more potential for exploration.
Film
The Brooklyn Academy of Music will screen Camille Billops and James Hatch’s unique films centering Black American life, sexuality, and social issues.
Film
Rachel Lears’s new film To the End is optimistic, perhaps to a fault.
Interview
The director sat with Hyperallergic for a conversation about the making of his new film The Velvet Underground.
Film
The 32nd edition of the festival will feature 29 films representing 16 countries screening at the Walter Reade Theater.
Film
A long history of checkered reviews of the film L’Homme blessé betrays a fundamental struggle with tragedy in a queer context.