Film
Juliette Binoche Is Torn Between Two Lovers in Claire Denis’s Both Sides of the Blade
Fans of director Claire Denis should check the film out, but as an agnostic, I find it one of her few truly awful pictures.
Film
Film
New Biopics of Elvis and the Sex Pistols Share Weaknesses
Baz Luhrmann’s film Elvis and Danny Boyle’s miniseries Pistol are both overly fixated on the influence their respective musicians’ managers had on them.
Film
Kathleen Collins’s Groundbreaking Portrait of Black Womanhood
Ignored and undistributed upon its debut in 1982, in the decades since, the film Losing Ground has slowly gained the recognition it deserves.
Film
A Meta Remake-of-a-Remake Muses on the State of Cinema
Stuffed with references to historical and contemporary film, Olivier Assayas’s miniseries version of his own 1996 film Irma Vep is sometimes too clever for its own good.
Film
The Cinematic Time Loops of Shahram Mokri
A new box set of four of the Iranian director’s features offers a great opportunity to get to know his singular style.
Art
A Spotlight on Navajo Filmmaker Blackhorse Lowe
“I’m focused on contemporary Native American stories, the modern-day ups and downs of that lifestyle, but I’m not trying to do it in a traditional manner,” the award-winning filmmaker told Hyperallergic in an interview.
Film
Enter the World of “Sonic Catering” in Flux Gourmet
Peter Strickland’s latest fetish-fixated film imagines a community of artists who turn food and cooking into soundscapes.
Film
A Youthful Documentary Memoir Both Enthralls and Frustrates
For both good and bad, first-time filmmaker Rebeca Huntt is “the lens, the subject, the authority” of Beba.
Film
An Emotional Documentary Follows Two Cattlewomen on the Range
Set in remote Idaho, Bitterbrush is a satisfyingly different kind of Western.
Film
Reimagining the Archives of a Revolution
Portuguese filmmaker Filipa César, whose work is the subject of an online retrospective hosted by Metrograph, seeks to help Bissau-Guineans preserve the memory of their revolution.
Art
A Film Asks: What Is Home?
In Nadav Assor and Tirtza Even’s film Chronicle of a Fall, on immigrant cultural workers in the US, there is no singular, stable view of anything.
Film
The Afrofuturist Musical Romance of Neptune Frost
Saul Williams and Anisia Uzeyman’s new film performs a radical intervention upon the science fiction genre.