Film
Mad God Is a Descent Into Hell, in the Best Way Possible
Made over the course of 30 years by special effects legend Phil Tippett, this stop-motion animated epic is a feast of creatively horrifying imagery.
Film
Film
A Frightening Doc About the NYC Subway
End of the Line captures five years of failed efforts to fix the city’s disastrously bad train infrastructure.
Film
What Documentaries to Catch at This Year’s Tribeca Film Festival
This year’s iteration includes titles about AOC, the making of movie sex scenes, and what’s happened to the “stars” of older documentaries.
Film
David Cronenberg Creates a World Where “Surgery is the New Sex”
Starring Léa Seydoux, Viggo Mortensen, and Kristen Stewart, Crimes of the Future is funny, serious, and sexy all at once.
Film
A Timely Documentary Revisits the Time When Abortion Was Illegal
The Janes interviews former members of Chicago’s underground network that helped people secure abortions.
Film
Kelly Reichardt Probes What Keeps Artists from Doing Work
Her recent film Showing Up features Michelle Williams as a sculptor who’s constantly driven to distraction.
Film
The World of Music Video Is Finally Adopting Restoration Efforts
As videos shot on film get refurbished for the digital age, we’re discovering more and more fascinating artifacts in the original materials.
Film
10 Films to Get to Know Ukraine
From music and architecture to comedy and horror, these films showcase Ukrainian culture and its long-held ethos of resistance.
Film
They Tried to Make a Sexy Movie About the Eiffel Tower Engineer
Eiffel inadvertently paints its protagonist not as a great man worthy of scrutiny or praise, but as the Elon Musk of his day.
Film
Ruben Östlund Satirizes the Lives of the Mega-Rich in Triangle of Sadness
Now playing the Cannes Film Festival, the new film from the director of The Square embarks on a luxury cruise that goes to hell.
Film
All Men Are Evil, According to This Film
In yet another horror movie that’s actually about trauma, writer-director Alex Garland makes his points bluntly, having one actor play many facets of misogyny.
Film
David Attenborough Guides Us to the Time of the Dinosaurs
Prehistoric Planet is visually ambitious, but the docuseries often fails to contextualize those visuals for the curious viewer.