Film
The Double-Crosses Don’t Stop Coming in the Noir Throwback No Sudden Move
Set in 1954 Detroit, Steven Soderbergh’s latest caper flick critiques capitalism and institutional racism as effortlessly as it piles on the twists.
Film
Set in 1954 Detroit, Steven Soderbergh’s latest caper flick critiques capitalism and institutional racism as effortlessly as it piles on the twists.
Film
Beth B’s biographical documentary The War is Never Over has a DIY sensibility befitting the No Wave performer.
Film
A restoration of Lizzie Borden’s landmark 1986 portrait of sex and labor is coming to theaters.
Film
With quarantine restrictions now lifted, the festival’s virtual slate from last year is now getting play in theaters.
Film
Returning virtually this year, the annual Caribbean film festival offers a slate of rewarding films that revel in the intricacies of the region and its diaspora.
Film
Explore lucha libre, Hollywood transformation stories, and more within the strange, compelling world of professional wrestling.
Film
Through June 30, you can screen films by Alima Lee, Fox Maxy, and Maia Ruth Lee.
Film
Based on a true story, I Carry You With Me captures the nuances of leaving and longing.
Film
Christopher Makoto Yogi’s beautiful, contemplative I Was a Simple Man merges the past and present of both one character and his environment.
Film
Set in Miami’s Little Haiti, Edson Jean’s feature debut follows a nurse on the verge of a breakdown.
Film
Yulene Olaizola's film tries to subvert the tropes of colonialist art about the Central American wilderness.
Film
Like many film festivals, the DC-area event is going partially virtual this year, allowing people around the country to take part.