Film
Sky Hopinka’s rapturous feature-length debut, małni—towards the ocean, towards the shore, which premiered at this year’s Sundance Film Festival, elaborates on his previous explorations of Chinuk Wawa while hewing to a more linear structure.
Film
As the Cinémathèque Québécoise pays homage to some of the notable women who have stepped behind the camera and “painted with light,” critic Justine Smith considers why their work is often underrecognized.
News
The DaangDokyu Documentary Festival hopes to raise enough funds by February 1 to make these important cultural and historical films available in their country of origin.
Film
Part of the brilliance of Garrett Bradley’s Time is the way it blurs the lines between past and present, offering an affecting look at the system’s impact on Black families.
Film
Metrograph's film series To Hong Kong with Love pairs old and new films films made by Hong Kong residents, cultivating a first-person narrative of the city and its changes.
Film
With BLKNWS, Joseph combats the racist and one-dimensional gaze of the news media.
Film
Kitty Green's latest film is as much about societal acceptance of sexual misconduct as it is about the indignities that many workers face in the office, especially younger women.
Film
As the acclaimed Netflix series has gone on, it appears in some ways to have bought into its own hype too much, and in doing so has weakened its critiques.
Film
The documentary Mucho Mucho Amor, which just premiered at Sundance, feels like a celebration in a way few biographies do.
Film
From HBO's Watchmen to The Social Network and Gone Girl, their soundtracks have constituted some of the best of the 2010s.
Film
MoMA's screening series "Now We Think as We Fuck": Queer Liberation to Activism argues for the inclusion of less respectable films in the queer canon.
Film
During a time of heightened tensions between the US and Iran, the documentary Coup 53 reminds viewers of the origins of the conflict.