Film
Godzilla, the Most Enduring Monster of Them All, In 15 of its Most Glorious Forms
Criterion’s 1000th release is a testament to not only the monster’s legacy, but also to the importance of monsters in general to our cultural memory and history.
Film
Criterion’s 1000th release is a testament to not only the monster’s legacy, but also to the importance of monsters in general to our cultural memory and history.
Film
An epic three and a half hours, The Irishman is in no hurry to get anywhere. It luxuriates in large and small detours, indulging flashbacks within flashbacks but it's rarely boring.
Film
Instead of that soul-crushing feeling I often experience after seeing a “Black struggle film,” Harriet sent me out of the theater feeling empowered.
Film
Black Gloves and Razors, a VHS-era compilation film of Italian horror death scenes, encourages some self-reflection from gore hounds.
Film
The 2005 documentary William Eggleston in the Real World has been restored and re-released on home media. Far from a normal biography, it often plays like a homage to the photographer's work.
Film
Zombi Child and Ouvertures delve into France's lingering influences on Haiti.
Art
Ahead of its opening, the Academy Museum of Motion Pictures is highlighting one major aspect of its holdings: costume design.
Art
"Rocywood" movies — inspired by Hollywood — portray local realities in the favelas, from the joys of growing up in a tight-knit neighborhood to the difficulties of living among violence.
Art
The UCLA Film & Television Archive looks at contemporary Taiwanese film through the lens of one of the most vibrant and progressive democracies in the region.
Film
For the next three weeks Film Forum presents SHITAMACHI: Tales of Downtown Tokyo, an expansive series dedicated to the city’s grittier east side, where filmmakers have long turned their lens.
Film
The documentary Delphine et Carole: Insoumuses looks at Les Insoumuses, the '70s group founded by director Carole Roussopoulos, iconic actress Delphine Seyrig, and Simone de Beauvoir.
Film
The film is far too derivative, far too wedded to juvenile mythology, and far too tentative to deserve its elevated profile.