Film
We Can’t Even: Millennials on Film, a series of films at BAM about, by, and for millennials, is a rebuttal to the narratives that dominate the discourse around a generation's priorities and perspectives.
Film
The movie makes its world of 1969 Los Angeles feel incredibly lived-in, not merely a look back but a transporting experience.
Film
The latest edition of the Fantasia International Film Festival continued its trend of elevating female filmmakers.
Film
With The Cordillera of Dreams, director Patricio Guzmán closes out a trilogy of documentaries in which he's used Chile's landmarks as points of inquiry into the nation's past.
Art
Film at Lincoln Center's Another Country: Outsider Visions of America offers a smorgasbord of wildly disparate cinema by foreign and immigrant directors you wouldn't normally consider in the same conversation.
Film
NO EVIL EYE brings experimental film and politics to the forefront with a touring program currently screening in Brooklyn.
Film
The movie superficially depicts the normal world of '50s America but from a subtly disjointed point of view.
Art
The 8th Dominican Film Festival is the largest showcase of Dominican filmmaking outside the Dominican Republic itself, and its films, workshops, and panels look fascinating.
Film
In season two, the show all but abandoned one of its most effective cinematic tools: music.
Film
Two new documentaries, The Gospel of Eureka and Gay Chorus Deep South, explore Southern queerness and faith in drastically different ways.
Film
Neither a political thriller nor entirely a noir, Benjamin Naishtat's Rojo is an eerie film in which the stakes feel painfully high.
Film
Rojo, the third feature by Argentina’s Benjamín Naishtat, summons and dissects a culture which masquerades psychological malaise as raw force.