Natalie de Segonzac and Lance Weiler investigate extremes, trauma, and restoration in two deeply personal solo exhibitions in Frenchtown, New Jersey.
Frenchtown
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ArtYard Showcases Art Without Intent in As Is
This exhibition invites viewers to question their notions of beauty, artistry, and materiality. On view in Frenchtown, New Jersey.
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Alexandre Arrechea’s Landscape and Hierarchies Features Works Inspired by Sports and Nature
This exhibition marks 20 years of Arrechea’s solo career with watercolors, sculptures, and multimedia installations created specifically for ArtYard in Frenchtown, New Jersey.
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ArtYard’s Ecstatic Decrepitude Features Works by Bread and Puppet Founder Peter Schumann
Curated by Clare Dolan, this solo exhibition in Frenchtown, NJ contains new and unearthed paintings, sculptures, and prints selected from the organization’s 60-year history.
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ArtYard’s Invisible Reveals “Missing Histories” in Works by 12 Artists
Curated by Jill Kearney, this exhibition in Frenchtown, NJ amplifies stories both local and universal with work by Willie Cole, Sandra Ramos, sTo Len, and more.
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ArtYard’s Living Exhibition Unfolds in Real Time in New Jersey
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.
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ArtYard’s New Art Center Opens With Inaugural Exhibition Girl You Want
Curated by J. Vanessa Lyon, the show offers a meditation on the gendering and racialization of girlhood. On view through August 1.
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ArtYard’s New Arts Complex Houses Exhibition Space and Theater
The interdisciplinary art center in Frenchtown, NJ presents transformative art, fosters unexpected collaborations, and incubates original new work.
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ArtYard Reopens With Shelter Is and a Series of Outdoor Installations
The works on view consider traditional models of shelter, as well as unconventional perceptions of home, relief, and sanctuary.
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An Exhibition Spotlights Progressive Art Studios
The Creative Commons is remarkable, not just because the work is so good, but because what it represents is so new.
