It’s been about a hundred years since Kazimir Malevich supplanted all imagery in painting with iconic shapes that point not to this world but to one he thought would come.
Frieze New York opens its doors to the public today, but already during yesterday’s press and VIP preview the aisles were crowded, the common areas and restaurants filled with worn-out fairgoers, and it seemed as if the only empty seats were sculptures.
Have you finally recovered from Armory Week? Are you ready to do it all again? Too bad, because it’s Frieze Week in New York City!
With recent statistics showing that only 31% of the solo exhibitions at NYC galleries are devoted to women, it comes as a pleasant surprise that over a two-month period this spring there are several exhibitions simultaneously showcasing the work of second-generation feminist artists.
Let’s face it: there’s Brooklyn, and then there’s the rest of New York City. (Sorry, rest of New York City!)
After two years of protest, Frieze New York, the American offshoot of the London fair launched by the founders of the British magazine Frieze 11 years ago, will be employing union labor — in part this year and in full in 2015 and 2016.
Q: When you’re a human rights activist recently released from prison in Russia and advocating for reform there, where’s the best place to speak to get your message across?
A: An art fair!
On April 9, Frieze New York and city labor unions announced that they had reached a settlement regarding using unionized workers for their fair in May.
After two years of protests regarding its use of non-union labor, Frieze New York announced today that it will be employing union workers for the 2014 iteration of the art fair on Randall’s Island.
According to documents received by Hyperallergic, the Teamsters have decided to renege on their announcement, made at last month’s City Hall press conference, to not target Deutsche Bank in their ongoing challenge of Frieze New York’s labor practices.
Occupy Museums thinks the art fair model needs to be reworked. Occupy Wall Street’s art offshoot has announced a new initiative, DebtFair, which seeks to radically deconstruct the commercial art fair. After essentially sunning themselves in a distant corner of Frieze New York last May, distributing flyers for Un-Frieze and other protest literature, the activists have decided to go for a more radical overthrow of the heavily commodified fair model. Whether or not this alternative has legs remains to be seen.