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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Gagosian Gallery

Posted inArt

A Moving Meditation on Mortality in Brice Marden’s Late Paintings

by John Yau December 15, 2021December 15, 2021

What I see as his late period reveals an artist who knows that change is inevitable, that mortality is hurrying closer, and that art is not a bulwark against time.

Posted inOpinion

How Woke Are the Fall Shows at New York’s Blue-chip Art Galleries?

by Seph Rodney September 25, 2020November 5, 2020

Looking at the upcoming shows from Pace, David Zwirner, Gagosian, and Hauser & Wirth one hardly gets the sense that we are in a moment of acute crisis.

Posted inArt

Brice Marden’s Latest Breakthrough

by John Yau November 23, 2019November 22, 2019

These are the paintings of a modern master for whom dissipation and loss of control have become integrated into the work.

Posted inArt

A Richard Serra Thought Experiment

by David Carrier October 26, 2019October 28, 2019

Serra’s new works are the ultimate billionaire’s art.

Posted inArt

Richard Prince’s Dorky White Anger

by John Yau December 9, 2018December 7, 2018

These are works you do not scrutinize or reflect upon because there is really not much to examine, much less think about.

Jeff Koons, “Balloon Venus (Red)” (2008–12), in The Great Mother (2015) at Milan’s Palazzo Reale (photo by the author for Hyperallergic)
Posted inNews

Hollywood Producer Sues Gagosian for Failing to Deliver $8M Koons Sculpture

by Benjamin Sutton May 1, 2018

Hollywood producer Joel Silver says the gallery refused to return the $3.2 million he paid for a Koons sculpture, whose completion date has been pushed back more than three years.

Posted inNews

Collector Who Paid $13M Sues Jeff Koons and Gagosian

by Benjamin Sutton April 19, 2018April 19, 2018

Steven Tananbaum claims he has paid more than $13 million since 2013 for three sculptures, none of which have been delivered.

Posted inArt

Cy Twombly’s Extravagant Synesthesia

by John Yau March 25, 2018March 23, 2018

Rosalind Krauss misreads Twombly in more ways than I can enumerate.

Posted inArt

From Flash Tattoos to a Fotomat Shack, Looking Beyond Books at the LA Art Book Fair 2017

by Matt Stromberg February 27, 2017February 27, 2017

At Printed Matter’s annual event, some of the highlights were objects that expanded upon the idea of what books can provide: an affordable means to experience and collect art.

Posted inArt

David Reed Did Not Go Along with Those Who Threw the Baby Out with the Bathwater

by John Yau February 25, 2017February 24, 2017

Making a brushstroke painting in the mid-1970s — a decade after Greenberg, Stella, and Lichtenstein gleefully presided over its burial — was foolhardy and brave.

Posted inArt

Two Cy Twombly Exhibitions Marry Myth and Sensual Abstraction

by Joseph Nechvatal February 8, 2017February 8, 2017

By a playful amalgam of semiotics with scatology, Twombly redevised history painting into palimpsest poop.

Posted inOpinion

The Potency of a Kitschy Picabia Nude

by Nevdon Jamgochian October 19, 2016October 18, 2016

The artist’s “Nu de Do” makes a blue-chip, cock-rock show at Gagosian Gallery worthwhile.

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