Where Farocki’s works are meditative, Steyerl’s are bold and loud — which would make for an interesting juxtaposition if the selected works didn’t feel so at odds with each other.
Galerie Thaddaeus Ropac
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Sussing Out Subtlety at the Frieze Art Fairs in London
LONDON — Last year was my first Frieze London fair, and I was baffled that it could seem so desultory, given that it was chock-a-block with pointlessly novel artworks.
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Look Before You Sit: At Frieze New York, the Seats Are All Sculptures
Frieze New York opens its doors to the public today, but already during yesterday’s press and VIP preview the aisles were crowded, the common areas and restaurants filled with worn-out fairgoers, and it seemed as if the only empty seats were sculptures.
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Tom Sachs’s Pointless Americana
PARIS — In a search for art that reacts to the inequalities of globalization, must art lose touch with the sort of grace that exceeds the hand, a grace that couldn’t be anything but artificial and technological?