Art
Yatika Starr Fields and the Imagined Barrier Between Art and Life
Informed by the legacies of Standing Rock and the January 6 insurrection, the artist grapples with ideas around site and his own agency.
Garth Greenan Gallery
Art
An Artist’s Lifetime of Asking the Hard Questions
Derek Boshier’s commitment to being a witness to the catastrophes and jarring discrepancies of daily living has contributed to his near-invisibility in New York.
Art
How James Luna Exposed the Mechanisms of American Racism
Luna was preoccupied with self-presentation in a society that, in its pursuit of whiteness, has never been able to recognize Native Americans as individuals.
Art
The Wonderfully Perplexing World of Gladys Nilsson
Nilsson's paintings come across as youthful and wise, a rare combination in any art.
Art
Mark Greenwold Looks in the Mirror and Does Not Flinch
Greenwold takes us down the rabbit hole into that place where fear and trembling preside.
Art
A Little-Known Chapter of Ralph Humphrey’s Career
There is something inelegant and unstylish about these paintings.
Art
Rosalyn Drexler Does Not Look Back
Since the 1960s, Drexler has continued to make powerful art and to go her own way.
Art
A Ribald World of One’s Own: The Watercolors of Gladys Nilsson
It is Gladys Nilsson’s attention to awkward and unconscious things that people do to themselves while out in public that makes her work fascinating to look at.
Art
Stoic Beauty
At one point, while looking at Roy McMakin’s four identical green tables, I had the sudden urge to wipe the dust off one of them, except there wasn’t any dust.
Art
Something New Under the Sun
Richard Van Buren studied ceramics at Mexico City College. Later, he moved to San Francisco, where he studied at San Francisco State (1961–64).
Art
Mark Greenwold’s Passion for Details
In Mark Greenwold's pencil drawing “Josie” (2015), at least three people and an oversized cat are gathered in a room under what looks like a skylight. A bespectacled man on the drawing’s right-hand side is wearing boxer shorts and a t-shirt, his erect penis poking through his shorts.
Art
It Is What It Isn’t
It has been two years since Patrick Strezelec had his first exhibition of sculptures in New York in more than a decade.