Belott’s “frozen artworks” signify duration in the interval between the water freezing and the ice melting.
Jacolby Satterwhite’s art is nearly the opposite of the fascist, illusionist US government regime we currently live under, and is far more radical — creating something that could otherwise never be.
The artist’s presence in her current one-woman survey at Gavin Brown’s Enterprise is like a ghost in the machine.
On August 3, Japanese artist and avant-garde musician Yasunao Tone brings his ongoing “AI Deviation” project to Gavin Brown’s Enterprise.
Condo New York is a sprawling, collaborative omnibus exhibition spanning spaces in Chelsea, the Lower East Side, and Tribeca.
Set to Kanye West’s languorously sublime hip hop gospel track, “Ultralight Beam,” the visuals in Arthur Jafa’s seven-minute film alternate between eruptions of joy and violence.
Arthur Jafa’s “Love Is the Message, The Message Is Death” communicates a truth about black life in the US: Many of our public encounters erupt in violence or are premised upon violence.
After spending six years in Chelsea, the Independent Art Fair has found a new home in Tribeca, in the incredibly sleek Spring Studios, usually host to fashion-related events.
For a gallery with 12 horses and a line of visitors stretching out the door, Gavin Brown’s enterprise is exceptionally hushed.
MEXICO CITY — Zona MACO, Mexico City’s, and arguably Latin America’s, biggest art fair opened here Wednesday night at the massive Centro Banamex convention center on the outskirts of the city.
Sometimes ferocity fades over time. Sometimes it doesn’t. For Judith Bernstein, it just gets bigger, brighter and wilder. Now in her seventies, Bernstein has been dishing out the unpalatable for more than forty years with no sign of letting up.