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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Gavin Brown’s Enterprise

Posted inArt

Brian Belott’s Time Pieces

by Dan Nadel January 4, 2019January 4, 2019

Belott’s “frozen artworks” signify duration in the interval between the water freezing and the ice melting.

Posted inArt

In Jacolby Satterwhite’s New Exhibition, a Blessed Road between Heaven and Hell, Body and Empire

by Forrest Muelrath May 4, 2018

Jacolby Satterwhite’s art is nearly the opposite of the fascist, illusionist US government regime we currently live under, and is far more radical — creating something that could otherwise never be.

Posted inArt

The Vertigo of Sturtevant

Avatar photo by Natalie Haddad August 5, 2017August 4, 2017

The artist’s presence in her current one-woman survey at Gavin Brown’s Enterprise is like a ghost in the machine.

Yasunao Tone performing (photo by Plastiques Photography, courtesy of Serpentine Galleries, London)
Posted inArt

A Pioneer of Glitch Music Performs with His AI Avatars

Avatar photo by Benjamin Sutton August 2, 2017August 1, 2017

On August 3, Japanese artist and avant-garde musician Yasunao Tone brings his ongoing “AI Deviation” project to Gavin Brown’s Enterprise.

(graphic courtesy Condo New York)
Posted inArt

16 Manhattan Galleries Host 36 Out-of-Town Art Spaces

Avatar photo by Benjamin Sutton June 29, 2017June 30, 2017

Condo New York is a sprawling, collaborative omnibus exhibition spanning spaces in Chelsea, the Lower East Side, and Tribeca.

Posted inArt

Great Balls of Fire: Arthur Jafa at Gavin Brown’s Enterprise

Avatar photo by Louis Bury January 28, 2017January 27, 2017

Set to Kanye West’s languorously sublime hip hop gospel track, “Ultralight Beam,” the visuals in Arthur Jafa’s seven-minute film alternate between eruptions of joy and violence.

Posted inArt

Confronting the Limits of Catharsis in a Video About Black American Life

Avatar photo by Seph Rodney January 24, 2017August 20, 2017

Arthur Jafa’s “Love Is the Message, The Message Is Death” communicates a truth about black life in the US: Many of our public encounters erupt in violence or are premised upon violence.

Posted inArt

In a New Location, the Independent Art Fair Feels Like Home

by Claire Voon March 4, 2016March 5, 2016

After spending six years in Chelsea, the Independent Art Fair has found a new home in Tribeca, in the incredibly sleek Spring Studios, usually host to fashion-related events.

Posted inArt

The Calm and Controversy of 12 Horses in an Art Gallery

Avatar photo by Allison Meier June 26, 2015June 29, 2015

For a gallery with 12 horses and a line of visitors stretching out the door, Gavin Brown’s enterprise is exceptionally hushed.

Posted inArt

Why Do US and European Galleries Flock to Mexico City’s Zona MACO?

by Matt Stromberg February 7, 2015February 10, 2015

MEXICO CITY — Zona MACO, Mexico City’s, and arguably Latin America’s, biggest art fair opened here Wednesday night at the massive Centro Banamex convention center on the outskirts of the city.

Posted inArt

Probing the Unknowable: Judith Bernstein’s Black Light Paintings

Avatar photo by Thomas Micchelli April 5, 2014April 9, 2014

Sometimes ferocity fades over time. Sometimes it doesn’t. For Judith Bernstein, it just gets bigger, brighter and wilder. Now in her seventies, Bernstein has been dishing out the unpalatable for more than forty years with no sign of letting up.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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