Maria Bussmann’s elusive drawings acknowledge the impossibility of fixing philosophical terms in imagery, like bugs in amber.
Because the contemporary art world is such a secular place, there hasn’t been much attention given to Warhol-the-Catholic, until now.
Arthur Danto’s best-known essay, “The End of Art,” continues to be cited more than it is understood. What was Danto’s argument? Is art really over? And if so, what are the implications for art history and art-making?