In a real and deep sense, Schneeman was an integral part of a historical moment taking place on the Lower East Side before gentrification.
George Schneeman
Single Point Perspective: An Arcadian Moment in the Heart of New York’s Lower East Side
For anyone interested in poetry (not the same as verse); underknown art and artists; the artists and poets of the New York School after the death of Franz Kline and Frank O’Hara; collaboration; collage; a do-it-yourself spirit; the Lower East Side (particularly from the late 1960s until the late ‘80s, decades before it was gentrified); and the persistence of bohemian life, despite all the efforts to stamp it out, the exhibition A Painter and His Poets: The Art of George Schneeman, thoughtfully curated by Bill Berkson and Ron Padgett at Poets House, is a must-see.
Quattrocento on the Bowery: The Collaborative Art of George Schneeman
Perhaps the most prolific exemplar of free-spirited collaboration from the New York art scene of the 1960s was the painter George Schneeman, the unofficial artist-in-residence of the Poetry Project at St. Marks Church from its earliest days.