Real Corporeal makes visitors aware of their own embodiment and addresses how bodies are in constant dialogue with the politics of their environments.
Gladstone Gallery
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Seeing Robert Rauschenberg for the First Time, All Over Again
Rauschenberg gave artists an enormous sense of freedom and permission to create anything they could dream of, so long as they were earnest in their ideas and execution.
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An Artist’s Monument to the Monotony of Images
Bayrle creates an art gallery version of computer reproductions of unreality. His art inhabits a world composed of repeated ready-made images.
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Life, Death, and the Cosmos Come Together in Sharon Lockhart’s Art
Lockhart’s latest exhibition offers a near-spiritual glimpse at the enormity of our planet, encompassing life, death, and the cosmos.
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Art Dealer Barbara Gladstone Accused of Abuse, Retaliation, and Discrimination in Lawsuit
A former staffer claims she was “yelled at, disparaged,” and once physically assaulted by dealer Barbara Gladstone.
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The Visceral Intimacy of Amy Sillman’s Drawings
Messy and tender, like a summer fling, Sillman’s drawings embody both the sense of decay and unyielding hunger for life that marks our current times.
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When Ritual Performances Slip Dangerously into the Real
Cameron Jamie’s three short films currently on view at Gladstone Gallery blur the boundary between documentation of ritualized performances and something more sinister.
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On One Block in Chelsea, Three Monumental Installations Empower and Overpower
In a small, über-blue chip stretch of 21st Street in Chelsea, three adjacent galleries are concurrently running exhibitions that feature a series of monumental art pieces that move between refined, processed, man-made materiality to earthen structures, and plant life that grows from the soil.
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Don’t Spook the Horse: Carroll Dunham on His New Work
The odd one out in Carroll Dunham’s current exhibition of paintings at Barbara Gladstone is “Culture as a Verb” (2013-2015). It’s the closest thing Dunham, or anyone in my recent memory, has come to painting the feeling of terrified, paranoid sorrow.
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Two Chelsea Galleries Go Wall Out for Summer
‘Tis the season of reduced hours and low-stakes group shows at most Manhattan galleries, but two spaces in Chelsea are bucking the trend with summer exhibitions of large-scale murals.
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Fresh from the Cosmic Junk Heap: The Sculpture of Peter Buggenhout
Peter Buggenhout’s massive stacks of debris hang off the wall or sprawl across the floor in a state of dereliction and collapse, monumental castoffs from a world spinning out of control.
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The Financial Crisis and Other Natural Disasters, A Tour in Three Parts
For Chelsea’s season opener, several exhibitions mimic post-disaster accretions including Thomas Hirschhorn’s Concordia, Concordia at Gladstone Gallery, Mr.’s Metamorphosis: Give Me Your Wings at Lehmann Maupin, and Matthew Lusk’s More Broken Glass Than There Was Window at ZieherSmith. In each case, water and human hubris play some role in creating the chaos; our dangerous love affair with stuff — and lots of it — enhances the devastation. While they all required considerable effort, each show offers different levels of insight into the events purportedly explored.
