Part of the movement’s second generation, the artists embraced personal sentiment in their references to nature and popular culture, resulting in abstractions that are simultaneously experiential and devotional.
Grace Hartigan
Posted inBooks
How the Mythic Heroines of the New York School Changed Modern Art
Mary Gabriel charts the Abstract Expressionist movement through the lives of its five most prominent female painters in her newest work of biography, Ninth Street Women.
Posted inArt
The Common Threads Between Female Quilters and Abstract Expressionists
At one time or other these women’s craft was either considered lowbrow or was measured against the work of male contemporaries.
Posted inArt
Sexism and the Canon: Three Female Artists Reflect on ‘Women of Abstract Expressionism’
DENVER — The paintings in Women of Abstract Expressionism at the Denver Art Museum are rich with emotion, monumental in scale, and totally original.
Posted inNews
The Overlooked Prints of the Abstract Expressionists
Tomorrow, Swann auction house will be presenting a sale, “Atelier 17, Abstract Expressionism & the New York School,” which showcases the prints of the Abstract Expressionist era that are often overlooked because the larger, flashier paintings inevitably grab the spotlight. The sale has a particular emphasis on the co-operative printmaking workshop Atelier 17, which was started in the Paris studio of English painter and draughtsman Stanley William Hayter in 1927. When World War II began, Hayter fled Paris for London and eventually settled in New York after a very short stay in California during the 1940s. The first New York incarnation of Atelier 17 popped up at the New School of Social Research but eventually the studio found a home at 41 East 8th Street in the heart of artistic Greenwich Village. Jackson Pollock lived across the street.
