Now celebrating its 80th anniversary, Manhattan’s Galerie St. Etienne brings a scholarly approach to a uniquely diverse lineup.
As she became a commercial success, Grandma Moses was tagged an “outsider” artist — but she emerged “inside” the art world, among modernists.
On the internet exhibition space The State, a Tumblr-based website, artist Chris Collins has published “tyepilot.com”. The text and image-based essay riffs off the artist’s discovery of a hidden cache of spam images advertising work-from-home internet jobs. Tyepilot’s images are remarkably reminiscent of the trends of contemporary internet art, recycling the visual tropes of the early internet, from bad photo manipulation to fake lens flare. The images are fascinating, but even more interesting is our fascination for the lost artifacts of the internet, and the vagueness of their sources and creators. Could finds of these semi-anonymous digital artifacts constitute the folk art of the internet age? Is Tyepilot the Grandma Moses of the 21st century?