Where indelible images restlessly bond with the ambiguity of words.
Set in the aftermath of a Super Bowl victory, Ben Passmore’s Sports is Hell spotlights human folly, displaying the US at its worst and most ridiculous.
Brilliantly paced, Adrian Tomine’s latest graphic novel takes readers from discomfort to laughter in just a few panels.
Bishakh Som’s Apsara Engine imagines what happens when femmes, as Donna Haraway writes, “make kin, not babies.”
The award-winning author-illustrator duo Damian Duffy and John Jennings have teamed up again, but at times, Parable of the Sower: A Graphic Novel Adaptation feels unoriginal, even for an adaptation.
In the futuristic setting of the graphic novel Familiar Face, the alienation induced by rapid technological advancement is accelerated to a fantastical degree.
In GLEEM, Freddy Carasco’s latest graphic novel, the itchy energy of youth is ready to burst forth, right off the page.
Here are our favorite books of 2019, brought to you by the writers and editors of Hyperallergic.
In her graphic novel The Hard Tomorrow, Eleanor Davis explores how different people react to living in a pressure cooker of rising fascism amidst dire inequality and a collapsing ecosystem.
Erased from history books, the stories and roles of women in slave revolts will now be told in vivid form by Rebecca Hall.
With a nod to Heinz Edelmann and Milton Glaser, Néjib illustrates a couple of formative years in the life of David Bowie.
Recent research on the use of graphic narratives in the ancient world has revealed their value to everyday people in the ancient Mediterranean — similar to modern audiences’ appreciation for such work.