Art
When Paris Was the Center of New York’s Art World
Americans in Paris at the Grey Art Museum highlights the vibrancy and openness of the Paris scene for Americans.
Art
Americans in Paris at the Grey Art Museum highlights the vibrancy and openness of the Paris scene for Americans.
Art
NYU's Grey Art Gallery is exhibiting 80 drawings by Santiago Ramón y Cajal, the "father of modern neuroscience" who used art to reveal the anatomy of the brain.
Art
Two art professors, a neurosurgeon, and a radiologist will discuss ways that artists and scientists can learn from each other.
Art
Each of these exhibitions showed me something I had not seen before.
Art
What the exhibition of Drummond and Dodd proves is that the art world was more diverse in the 1960s than has been told.
Art
If 1962 is the dividing line between one art world and what we seem to have inherited, Inventing Downtown will bring you back to the period before the “art Establishment crossed the street.”
Art
Felix Gonzalez-Torres once made the argument that all art is political, even an artist’s choice to focus on the purely aesthetic.
Art
There are certain exhibitions in which some or many of the works on display are so interesting, provocative or well-made that they somehow manage to surmount whatever restrictive or overwrought critical-theoretical trappings their organizers have erected around them, defying the analytical filters t
Art
Most photographs of real-life events tend to be documentary by nature, but the kind of photographic image-making that makes a point of approaching its subjects with an “objective” viewpoint and a for-posterity sense of purpose — can such photos ever convey a truly neutral position vis-à-vis their su
Art
As an Asian boy growing up middle-class in America, I was taught assimilation was key.
Art
The most telling artifact in Energy That Is All Around is a letter artist Alicia McCathy received from her school, the San Francisco Art Institute (SFAI), back in 1992.
Art
An Opening of the Field: Jess, Robert Duncan, and Their Circle presents a slice of the rich Northern California art world of the postwar years. Much of what is here is not “gallery art,” in a commercial sense, but art created by and for a small community of friends, colleagues, and lovers, rooted in