On view through December 7, 2019, the shows printmaking, collage, and installation beckon viewers to examine their preconceived notions of society.
On view at the Halsey Institute of Contemporary Art, the installation aims to present both an alluring, gorgeous and otherworldly garden, and its darker counterpart.
Public Memory in the New South is concerned with how we choose to frame our recollections to arrive at a collective sense of who we are in today’s South.
On view at the Halsey Institute of Contemporary Art, fifty-six photographers’ visions of the South over the first decades of the 21st century.
Italian artist Hitnes retraces the steps of John James Audubon at the Halsey Institute of Contemporary Art.
The galleries become a transdimensional stopover camp for extinct animals.
Diago tracks a lineage of painterly abstraction and other forms in modern Cuban art, condensing them into a body of work that explores the vestiges of slavery and segregation in contemporary Cuban life.