N.I.H., short for No Humans Involved, was an acronym used by the LAPD to refer to “young Black males who belong to the jobless category of the inner-city ghettos.”
Hammer Museum
Posted inFilm
Three Playful, Inventive Films Streaming as Part of Made in LA
Through June 30, you can screen films by Alima Lee, Fox Maxy, and Maia Ruth Lee.
Posted inArt
An Intimate Look at James Baldwin and His Rarely Discussed Suicide Attempts
Harmony Holiday wants to show “the Baldwin who was baffled and befuddled and wounded and perfectly real.”
Posted inArt
“Made in LA” Mines the Necessary Performance of Everyday Life
Performance has always been essential as a means of survival to participate in the fiction of America.
Posted inPerformance
Boogie With Patrisse Cullors in a Virtual Electric Slide
On Sunday April 11, Patrisse Cullors will be restaging “F*ck White Supremacy, Let’s Get Free” online for a global audience.
Posted inArt
In Upcoming Talk, rafa esparza Opens Up About His Collaborative Art
This Thursday, November 19, esparza will deliver a special lecture at the Hammer Museum.
Posted inNews
LA Museums Continue Construction and Expansion Projects, Despite Pandemic
In California, all construction — including museum expansions — has been categorized as essential. While much of the art world is standing still, expansions at LACMA, the Hammer, and other museums are prompting both questions and criticisms.
Posted inArt
Andrea Fraser Puts Male Feminism on the Line
In her performance, Fraser plays the role of male feminists, both empathizing with them and exposing their failure to empathize with the goals of the Women’s Movement.
Posted inArt
Why Splattering Eggs on a Museum’s Walls with Other Women Was So Satisfying
Sarah Lucas’s performance at the Hammer Museum was satisfying, liberating even. Women are not supposed to express anger, and we sure as hell aren’t supposed to make a mess.
Posted inIn Brief
MOCA Los Angeles to Implement a Free Admission Policy
The shift will be funded with a $10 million donation from MOCA Board of Trustees President Carolyn Clark Powers, who says: “Charging admission is counterintuitive to art’s ability and purpose to connect, inspire, and heal people.”
Posted inArt
Allen Ruppersberg, a Conceptual Artist in Love with the Physical World
Ruppersberg, who has lived between Los Angeles and New York since the 1960s, pushes the ordinary toward the extraordinary in wildly divergent works.
Posted inArt
Considering Adrian Piper’s Art Alongside 50 Years of Social Change
In conjunction with the exhibition, the Hammer Museum hosts a day-long symposium on Piper’s vital work.