Harvard Art Museums acquired a sample of Vantablack, a material that absorbs almost 100% of light.
For viewers accustomed to looking at paintings on canvas and panel, manuscripts are a different beast.
CAMBRIDGE, Mass. — The historic collection of glass flowers at the Harvard Museum of Natural History recently reopened after its first comprehensive renovation.
The ancient Inca had no known written language, but they may have used an intricate language of knots.
CAMBRIDGE, Mass. — When visiting an art exhibit, there’s a temptation to start at the entryway and work your way through it following the path established by the curator.
CAMBRIDGE, Mass. — Before you even enter the building, there are boats.
Melting glass over a flame, the 19th-century Czech father-and-son team of Leopold and Rudolf Blaschka replicated in fragile detail specimens of the natural world.
When Milton was writing Paradise Lost in the 17th century, a comet grazed through the sky, inspiring the English poet to describe how Satan “stood Unterrified, and like a comet burn’d.”
Up on a hill in a guarded compound, not far from where Harvard University keeps its primate labs, a 127,000-square-foot structure holds the heart of the institution’s library.
When the Harvard Art Museums reopen this Sunday after a six-year expansion project, historic pigments foundational to the field of art conservation in the United States will be on public view.
What if all your woes could be healed by some good thinking? Back in the 19th century, mesmerism was all the rage, merging nicely with the DIY Victorian parlor entertainment and hefty dose of quack medicine making the rounds — from questionable experiments in electricity to phrenology.
After having deadly disappointment earlier this year when it was revealed two of the three books at Harvard University believed to be bound in human skin were both sheepskin, the third has been confirmed as being hominid-made.