• Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Hauser & Wirth

Posted inArt

Reveling in the Ruins of the Past

by Natalie Haddad May 5, 2022May 6, 2022

In attempting to convey atrocities that confound language, artist Phyllida Barlow comes up against a paradox with no easy resolution.

Posted inArt

The New Bend Nods to Gee’s Bend but Strays From Quilting

by Daria Simone Harper March 1, 2022March 2, 2022

I was left wondering whether more of a connection could be made between some of the artists and artworks and the artists of Gee’s Bend.

Posted inArt

Philip Guston’s Unblinking Eye

by John Yau September 29, 2021October 1, 2021

I cannot think of another American artist who went as far as Guston did without a safety net.

Posted inArt

In Henry Taylor’s Paintings, the Past Bleeds Into the Present

by David Carrier July 31, 2021July 30, 2021

Taylor’s paintings emphasize that golf and horse racing, though once exclusively activities for privileged white men, depended on the support of men who were almost invariably Black.

Posted inArt

Jack Whitten’s Infinite Galaxies of Abstract Light and Color

by Ken Tan December 2, 2020December 3, 2020

Focused on Whitten’s legacy-defining cumulative process, I AM THE OBJECT assembles a mesmerizing selection of works, each its own tiny universe.

Posted inOpinion

How Woke Are the Fall Shows at New York’s Blue-chip Art Galleries?

by Seph Rodney September 25, 2020November 5, 2020

Looking at the upcoming shows from Pace, David Zwirner, Gagosian, and Hauser & Wirth one hardly gets the sense that we are in a moment of acute crisis.

Posted inArt

The Profound and Alluring Mystique of Luchita Hurtado

by Valentina Di Liscia September 22, 2020November 5, 2020

With its emphasis on never-before-seen painting and drawings, Luchita Hurtado. Together Forever. reveals the artist’s progressively sensual and abstract representations of the body, pushing the viewer to look much closer.

Posted inNews

“Artists for New York”: 100+ Artists Sell Work to Help NYC Spaces Survive

by Cassie Packard September 17, 2020November 5, 2020

Over 100 artists, including Rashid Johnson and Jenny Holzer, have donated work for a sale that will benefit arts nonprofits based in New York City.

Posted inArt

Lorna Simpson’s Cut-Up Portraits Evoke the Complexity of Identity

by Kate Silzer June 27, 2020December 10, 2020

Composed of photographs culled from vintage Ebony magazines, the faces in these collages are reconstructed into new selves.

Posted inNews

Hauser & Wirth’s New Online Exhibition Celebrates the Artists Among Its Staff

by Valentina Di Liscia May 14, 2020May 16, 2020

All proceeds for Homegrown will go directly to the artists; an additional 10% of gross profits will benefit the COVID-19 Solidarity Response Fund for the World Health Organization.

Posted inArt

A Photographer Shows Deference For Sublime, Endangered Coastlines

by Dana Ostrander December 4, 2019

Thomas Joshua Cooper has feverishly circumnavigated the globe in an effort to chart the Atlantic basin. His recent photos of the California coast, subject to wildfires and drilling, feel all the more poignant.

Posted inArt

Learn More About Philip Guston’s Only Surviving Mural in California

by Matt Stromberg November 26, 2019

A chance to visit the mural and listen to a discussion about this important but often overlooked moment in Guston’s career.

Posts navigation

1 2 3 … 5 Older posts

Popular

  • The Worst McMansion Sins, From Useless Pilasters to Hellish Transom Windows
  • Did NASA Spot an “Alien Doorway” on Mars? 
  • Stanley Lewis in a Wayward World
  • Notes and Pictures From Frieze New York
  • Missing Picasso Resurfaces at Home of Former Philippines First Lady
Sponsored
  • Five Artists Conjure Worlds Just Beyond Reach at the John Michael Kohler Arts Center
  • Museum of Arts and Design Exhibition Explores the International Language of Dress
  • FAT HAM at the Public Theater Spins Shakespeare Into a Celebration of Community
  • Triennial of Photography Hamburg Reflects on Currency
  • NOMA Presents Katherine Choy: Radical Potter in 1950s New Orleans
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Sign In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2022 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy