Barlow’s sculptures may be abstract, but they feel rife with heads, teeth, legs, and orifices of every stripe.
Participants include artists Edgar Arceneaux and Edgar Heap of Birds, curators Helen Molesworth and Kimberli Meyer, and students from a Prison BA Program at California State Prison, Lancaster.
Whitten’s paintings pay homage to his influences, including artists and close family. He thought of his works as “gifts” — personal dedications that reveal his subjects’ nuances and edges.
A new book from Hauser & Wirth compiles five decades of abstract artist Jack Whitten’s personal writings.
Bradford’s new paintings tell us how much we don’t know.
Considered the Father of the Happening, Kaprow started off as a painter whose work reflected a Cubist-inspired, pre-AbEx aesthetic.
“Europe Bombarded,” by Fabio Mauri, draws on the artist’s memories of growing up in Fascist Italy.
Geta Brătescu’s work positions the artist as a creator of freedom even in oppressive times.
There’s a discrepancy between Roth’s relationship with his art — so much of which was never meant to last — and its reception by an art establishment that has canonized the late artist.
At some point in his career, Vandenberg became disgusted with the attention he was getting, and walked away from the work that made him a success.
The exhibition includes scores by John Cage and Morton Feldman, paintings by Philip Guston, sculpture and works on paper by Louise Bourgeois and David Smith, and oil paintings by Joan Mitchell.
In Asher Hartman’s play Mr. Akita, artist and performer Cliff Hengst discusses the nature of art with a silent Op art painting by Emily Joyce.