Dual retrospectives of paintings and woodcuts underscore Frankenthaler’s restless experimentation in image and materials.
DENVER — The paintings in Women of Abstract Expressionism at the Denver Art Museum are rich with emotion, monumental in scale, and totally original.
DENVER — The story goes like this. It is 1950. Virginia born painter Judith Godwin learns that dancer and choreographer Martha Graham will be in the region and all Godwin can think about is her desire for Graham to perform in Staunton at the all women’s school she attended, Mary Baldwin College.
In the fourth episode of the Hyperallergic Podcast we focus on the Women of Abstract Expressionism exhibition at the Denver Art Museum.
WALTHAM, Mass. — To say that painting is having a moment would be ironic – since, despite periodic claims regarding its demise or return, it clearly never went very far away.
LOUISVILLE, Kentucky — The Kentucky Museum of Art and Craft in Louisville has spent the last couple of years staking out a place in discussions occurring in contemporary art circles about the line dividing art and craft. The recent exhibition PRESS: Artist and Machine was a romantic show focused on illuminating the relationship between 19th-century printing-press technology and 20th- and 21st-century art production.
The archives of Partisan Review, the totemic 20th-century journal of politics and the arts, have finally been fully digitized.
A painter best known for her groundbreaking painting “Mountains and Sea” (1952) which influenced on a whole generation of abstract painters, Helen Frankenthaler has died at the age of 83 at her home in Darien, Connecticut.
Tomorrow, Swann auction house will be presenting a sale, “Atelier 17, Abstract Expressionism & the New York School,” which showcases the prints of the Abstract Expressionist era that are often overlooked because the larger, flashier paintings inevitably grab the spotlight. The sale has a particular emphasis on the co-operative printmaking workshop Atelier 17, which was started in the Paris studio of English painter and draughtsman Stanley William Hayter in 1927. When World War II began, Hayter fled Paris for London and eventually settled in New York after a very short stay in California during the 1940s. The first New York incarnation of Atelier 17 popped up at the New School of Social Research but eventually the studio found a home at 41 East 8th Street in the heart of artistic Greenwich Village. Jackson Pollock lived across the street.
Modern Art Notes’ Tyler Green has a knack for wonderful ideas that create entertaining conversations about art, lest we forget his tweet that lead to the Super Bowl bet between the New Orleans Museum of Art and the Indianapolis Museum of Art. Like the footbal bet, his latest idea also combines his two loves, sports and art, to create what he is calling, “The Greatest Living American Abstract Painter Tourney-ish.”