The first solo presentation of the Los Angeles-based artist in New Mexico celebrates her five-decade career and contributions to the Light and Space movement.
LOS ANGELES — For Helen Pashgian, art exists at the intersection of the material and immaterial. Her use of industrial materials, such as acrylic, epoxy, resin, and metal, combined with complex fabrication processes serve to make the presence of light a substance unto itself.
LOS ANGELES — As a primary member of the Light and Space movement of the 1960’s, Helen Pashgian played a pivotal role in establishing the legitimacy of California art in the second half of the 20th century. However, being one of the only women in LA’s macho art scene of the era, her work was often overshadowed. An exhibition of new sculptures at Ace Gallery Beverly Hills, as well as her inclusion in a recent encyclopaedic Pacific Standard Time show, aims to set the record straight.
Earlier this week I posted a review of MCASD’s current show Phenomenal: California Light, Space, Surface. Reading this, you might have thought, “Cool! Perceptual deprivation! Now I’ll know what it was like doing LSD in the 1960s and 1970s without worrying about passing a drug test at work!” Which is all well and good. But you also might have wondered, beyond the entertainment factor, why should you care. What exactly is the Light and Space movement and why is it important?
Prospect 2011 continues at the Museum of Contemporary Art San Diego until July 10, 2011