The photographer chronicles her life as a queer woman of color born with HIV.
I have to credit David Zwirner for attempting to include the queer community, but I can’t help but feel conflicted about the whole initiative.
HIV/AIDS activists return to the New York museum, while the museum updated their wall placards to reflect the continuing crisis and the recent action.
A dozen protesters gathered at the Whitney Museum of Art to condemn the institution’s lack of modern context about the HIV/AIDS epidemic in relation to Wojnarowicz’s artwork.
A retrospective in Mexico City traces the Canadian trio’s evolution from Fluxus-inflected performance directives to twists on commercial objects and images directly addressing the HIV/AIDS epidemic.
A new dance work based on material by the choreographer John Bernd, who died of AIDS-related complications in 1988 at age 35, is the centerpiece of Danspace Project’s annual Platform series.
LOS ANGELES — Visitors to Scorched Earth, Mark Bradford’s exhibition at the Hammer Museum, are greeted in the lobby by a map that shows the US population infected with AIDS by state.
On April 25th, and in honor of its 25th anniversary, AIDS activist group ACT UP (The AIDS Coalition to Unleash Power), joined by organizations ranging from Occupy Wall Street to Visual AIDS to Housingworks as well as other AIDS activist and queer organizations, will be staging a large scale demonstration on Wall Street reminiscent of its original Wall Street protests of the late 1980s.
The most visceral pieces in Brooklyn-based artist and activist Hunter Reynolds’ solo show Survival AIDS at Lower East Side nonprofit art space Participant Inc. are not, as one might expect, the blood splattered newspaper clippings screaming ominous headlines posted on the walls of the gallery. Rather, it’s the packing tape mummies collapsed on the floor and suspended from the walls that are the real shockers. The bodies missing from their cocoons seem to have only recently burst out, resurrected.