Some museumgoers pointed out that the museum’s label omitted discussions of HIV/AIDS, which are at the heart of the work.
HIV/AIDS
Kia LaBeija’s Photographs Tell a Story as Multifaceted as the Artist Herself
The photographer chronicles her life as a queer woman of color born with HIV.
A Tribute to Artists Lost to AIDS Left Me With Mixed Feelings
I have to credit David Zwirner for attempting to include the queer community, but I can’t help but feel conflicted about the whole initiative.
ACT UP Returns to the Whitney Museum’s Wojnarowicz Retrospective, This Time as Guests
HIV/AIDS activists return to the New York museum, while the museum updated their wall placards to reflect the continuing crisis and the recent action.
Protesters Stage Intervention at Whitney’s Wojnarowicz Exhibition to Highlight the Enduring HIV/AIDS Crisis
A dozen protesters gathered at the Whitney Museum of Art to condemn the institution’s lack of modern context about the HIV/AIDS epidemic in relation to Wojnarowicz’s artwork.
How General Idea Got Specific to Confront the AIDS Crisis
A retrospective in Mexico City traces the Canadian trio’s evolution from Fluxus-inflected performance directives to twists on commercial objects and images directly addressing the HIV/AIDS epidemic.
Remembering and Reframing the Legacy of a Choreographer Lost to AIDS
A new dance work based on material by the choreographer John Bernd, who died of AIDS-related complications in 1988 at age 35, is the centerpiece of Danspace Project’s annual Platform series.
Mark Bradford Maps the Suffering of Bodies
LOS ANGELES — Visitors to Scorched Earth, Mark Bradford’s exhibition at the Hammer Museum, are greeted in the lobby by a map that shows the US population infected with AIDS by state.
ACT UP Returns to Wall Street With Occupy and Others on April 25
On April 25th, and in honor of its 25th anniversary, AIDS activist group ACT UP (The AIDS Coalition to Unleash Power), joined by organizations ranging from Occupy Wall Street to Visual AIDS to Housingworks as well as other AIDS activist and queer organizations, will be staging a large scale demonstration on Wall Street reminiscent of its original Wall Street protests of the late 1980s.
Surviving AIDS
The most visceral pieces in Brooklyn-based artist and activist Hunter Reynolds’ solo show Survival AIDS at Lower East Side nonprofit art space Participant Inc. are not, as one might expect, the blood splattered newspaper clippings screaming ominous headlines posted on the walls of the gallery. Rather, it’s the packing tape mummies collapsed on the floor and suspended from the walls that are the real shockers. The bodies missing from their cocoons seem to have only recently burst out, resurrected.