Is watching Jordan Peele’s latest film nothing more than an exercise in decoding his message?
It’s another equally thrilling and smart ride from the rising director, subtly tackling intersecting ideas about “seeing” and “being seen” along the way.
Film at Lincoln Center’s series Beware of Dario Argento will be screening 20 of the Italian giallo master’s works with a chance to meet him in the flesh.
Made over the course of 30 years by special effects legend Phil Tippett, this stop-motion animated epic is a feast of creatively horrifying imagery.
In yet another horror movie that’s actually about trauma, writer-director Alex Garland makes his points bluntly, having one actor play many facets of misogyny.
Jane Schoenbrun talks to Hyperallergic about We’re All Going to the World’s Fair and making the internet cinematic.
Jenna Cato Bass’s film is a reckoning both for her and all the clueless white children who never thought about the Black women who served them.
Writer/director Nia DaCosta and producer/co-writer Jordan Peele update the horror film franchise with a critical look at the commodification of Black trauma.
Old literalizes the adage about how life passes you by in a flash, to horrifying effect.
The Lutheran Society had no idea what they were in for when they had zombie movie icon George Romero direct The Amusement Park, long lost but now restored.
The British horror film In the Earth bloodily observes how fervent belief makes fools of us all.
Live TikToks featuring séances, “hauntings,” and other spooky things are becoming incredibly popular.